RP 시리즈의 끊없는 진보의 결정판. 

새로운 시작!!!!


RP500



 

> 기존 RP와는  전혀 다른 외장형태로서 늘어난 풋스위치를 통해 프리셋 사용의 한계를 
  벗어났으며 버튼도 플라스틱이 아닌 버튼형태의 메탈제질로 제작되었습니다.









 > 톤&이펙터 라이브러리 노브를 사용하여 빠르게 사운드를 선택할 수 있습니다.









 > 오디오 DNA2 커스텀  DSP칩셋을 장착. 더욱 강력해진 음원을 통한 보다 다양하고 
   하이퀄리티의 사운드를 연출할 수 있습니다.









USB 단자와 컴퓨터를 연결하여 컴퓨터를 통한 고품질의 레코딩이 가능하며,  
   X-Edit 소프트웨어를 사용하여 직접 컴퓨터상에서 RP500의 사운드를 편집하고 저장할 수 
   있습니다.









리버브 이펙터의 대명사 렉시콘 리버브를 탑재.









앰프/캐비넷 바이패스 버튼을 사용하여 프리셋에 적용중인 앰프/캐비넷 모델링 효과를
   끄거나 켤 수 있습니다. 이 기능은 프리셋에 모델링 효과를 배재하고 순수한 이펙터 효과만을
  주고 싶을 때 쉽고 빠르게 사용할 수 있는 기능입니다.








     < 특징>

> 이펙터 스위칭 시스템을 통한 내부 스톰박스와 이펙터의 컨트롤

> 5개의 풋스위치 버튼을 통해 프리셋 이동이 용이

> 모든 프리셋에 대한 앰프/캐비넷 바이패스 기능

> 40가지 톤, 40가지 이펙터 라이브러리

> 200개의 프리셋 (100 자체 프리셋 + 100 사용자 프리셋)

> 스톰박스, 코러스, 딜레이, 앰프, 캐비넷을 포함한 125 이상의 이펙터

> 딜레이 이펙터의 경우 5초 이상의 딜레이 효과

> 24-bit 44.1kHz 샘플 레이트

> 기존 RP와는 다른 메탈 스위치

> 밝아진 프로그램 정보 LED 디스플레이

> 크로매틱 튜너 내장

> 그라운드 접지가 되어있는 독립적인 XLR 레프트/라이트 아웃풋

> 독립적인 1/4 레프트/라이트 아웃풋

> 앰프/믹서 스위치

> 스테레오 1/8“ 헤드폰 아웃풋

> 스테레오 1/8“ CD/MP3 인풋

> 내부 와우, 볼륨, 와미, 그 밖의 다른 파라미터를 실시간 컨트롤하는 익스프레션 페달

> 금속 외장

> Cubase LE4 레코딩 소프트웨어 포함

> X-Edit 소프트웨어 포함- 컴퓨터상에서 RP500의 프리셋 작업이 가능합니다.

> 2 X 2 USB 오디오 스트리밍

> 전원 아답터 포함









<Distortions>

> SCREAMER (Based on an Ibanez® TS-9)
> TS 808 (Based on an Ibanez TS-808 Tube Screamer)
> SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
> OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
> DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
> RODENT (Based on a Pro Co RAT™)
> MX DISTORTION (Based on an MXR® Distortion +)
> DS (Based on a Boss® DS-1™ Distortion)
> GRUNGE (DigiTech® Grunge®)
> ZONE (Based on a Boss MT-2 Metal Zone®)
> DEATH METAL (DigiTech Death Metal™)
> GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
> 8TAVIA (Based on a Roger Mayer Octavia™)
> FUZZLATOR (Based on a Demeter Fuzzulator)
> CLASSIC FUZZ (Based on a DOD Classic Fuzz)
> FUZZY FACE (Based on an Arbiter® Fuzz Face™)
> BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
> REDLINE (DigiTech® Redline Overdrive)






<Amps>

57 CHAMP Based on a '57 Fender® Tweed Champ®
57 DELUXE Based on a '57 Fender® Tweed Deluxe™
59 BASSMAN Based on a '59 Fender® Tweed Bassman®
62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®
65 JTM-45 (Based on a '65 Marshall® JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox® AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
MARK 4 Based on an '93 Mesa Boogie Mark IV
TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier
99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
96 MATCH HC-30 Based on a '96 MatchlessTM HC30
88 SLO-100 Based on an '88 Soldano SLO-100
GA-40 Based on a Gibson® GA-40
5150 II Based on a Peavey® 5150® II
JAZZ COMBO Based on a Roland® JC-120
SOLAR 100S Based on a Sunn® 100S
HT-100 Based on a Randall® HT-100
OJ 120 Based on a Orange™ OR 120
SUPER G Based on a Laney™ Supergroup
DIGITECH SOLO DigiTech® Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
DIGITECH MONSTER - Maxed out gain
DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp
DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp
DIGITECH STONERROCK – Thick, sludgy distorted amp tone
DIGITECH DARKMETAL – Responsive, tight metal tone
DIGITECH TRANSISTOR – Solid state transistor amp sound
DIGITECH BROWNSOUND – Hot rodded 80’s stack tone
DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
DREADAUGHT ACOUSTIC
JUMBO ACOUSTIC








<Cabinets>

CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
DIGITECH SOLO 4X12 4x12 DigiTech® Solo
DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
DIGITECH METAL 4X12 4x12 DigiTech Metal
DIGITECH ROCK 4X12 4x12 DigiTech Rock
DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
DIGITECH SPANK 4X12 4x12 DigiTech Spank
DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
DIRECT No cabinet model







<Effects>

Wahs:
DigiTech® Wah
Cry Wah Based on a Dunlop® Cry Baby™ Wah
Clyde Wah Based on a Vox® Clyde McCoy™ Wah
 
Compressors:
DigiTech® Compressor
CS Compressor Based on an Boss® CS-2 Compressor/Sustainer
Dyna Comp Based on an MXR® Dynacomp™

Noise Gate:
DigiTech® Silencer™ Noise Gate
DigiTech Auto Swell Gate

EQ:
3-band semi-parametric EQ

Chorus Stompbox Models:
DigiTech® Dual Chorus
DigiTech Multi-Chorus
DigiTech Glistening Chorus
CE Chorus based on a Boss® CE-2 Chorus
TC Chorus based on a TC Electronics® Chorus

Flanger Models:
DigiTech® Flanger
DigiTech Triggered Flanger
MX Flanger based on MXR® Flanger
EH Flanger based on Electro Harmonix® Electric Mistress™
AD Flanger based on ADA™ Flanger

Phaser Models:
DigiTech® Phaser
MX Phaser based on MXR® Phase 100
EH Phaser based on Electro Harmonix® Small Stone™

Pitch Models:
DigiTech® Whammy™
DigiTech® Pitch Shift
DigiTech® Detune
DigiTech® Harmony Pitch
Octaver based on a Boss® OC-2 Octaver™

Vibrato / Rotary Models:
DigiTech® Vibrato
DigiTech® Rotary
DigiTech® Vibro / Pan
Unovibe based on a Unicord Uni-Vibe™

Tremolo Models:
DigiTech® Tremolo
DigiTech® Panner
DigiTech ScatterTrem – Dual tremolo effect
Opto Tremolo based on a Fender® Opto Tremolo™
Bias Tremolo based on a Vox® Bias Tremolo

Envelope / Special Models:
DigiTech® Auto Yah™
DigiTech® YaYa™
DigiTech® Synth Talk™
DigiTech® Step Filter
DigiTech® Sample & Hold
DOD FX25 based on DOD® FX25 Envelope Filter

Delays:
Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay
Reverse Delay
DM Analog Delay based on Boss® DM2 Analog Delay
Echo Plex based on a Maestro EP-1 Tube Echoplex

Reverbs:
Lexicon® Ambience
Lexicon® Hall
Lexicon® Room
Lexicon® Studio
Spring based on a Fender® Twin Reverb™
EMT240 based on an EMT® 240 Plate Reverb






<Specifications>

General Specifications

Chassis:         Durable cast metal construction                                                                       
Display:          Large 8 character alpha-numeric and 2 character numeric LED display

Controls:

Footswitches:    9 heavy duty vacuum-style switches control Bypass, Tap Tempo, Bank up/down,
                               Program up/down, Tuner, program access and stompbox/effect on/off                

Expression pedal        Built-in
A/D Converter:              24-bit high performance audio
D/A Converter:             24-bit high performance audio
Sampling Frequency: 44.1kHz throughout
DSP Section:                1 Audio DNA2™ DSP Processor
Preset Memory:          
99 User / 99 Factory Presets

Analog Input Connections

Guitar input:
Impedance
: 1M Ohms
Maximum input signal: 8 dBu

Analog Output Connections

Line Outputs:
Impedance: 1K Ohms unbalanced / 2K Ohms balanced
Maximum Output Level: 23 dBu

Mixer Outputs:
Impedance:
2K Ohms balanced
Maximum Output level: 23 dBu

Headphone Outputs:
Minimum Headphone
Impedance: 50 Ohms
Output Power: 250 mW / channel
Electronic SNR: ≥ 110dB

USB:2.0 compliant
Audio streaming:
2 channels to computer, 2 channels from computer
Sample rate: 44.1 kHz

Size/Weight
Unit Dimensions: 19.5” x 2.25” x 8.75” (W x H x D)
Shipping Dimensions: 21” x 4” x 11” (W x H x D) (approximate)
Shipping Weight: 8.0 lbs (approximate)

Computer Minimum System Requirements:

Windows:      Vista Home/Premium XP Home/Professional (SP2 installed, .NET 2.0 installed*)  
                         Pentium®/Athlon™ 1.4GHz or later
                         512MB RAM (1GB RAM recommended) 
                         180MB hard disk space for application
                         DVD-ROM drive
                         USB Port
                         Internet connection required for Cubase activation
                        *.NET 2.0 will be installed during installation of X-Edit software if required 
                       on XP systems

Mac:               OS 10.4.x or later
                        PowerPC G4/G5 1GHz or later
                        512MB RAM (1GB RAM recommended)
                       180MB hard disk space for application
                        DVD-ROM drive
                        USB Port
                        Internet connection required for Cubase activation